Plogue bidule stereo to 5.1
Note that the plugin also offers the ability to load custom 64-channel. The built-in Spatial Mic Converter filters are specific to the raw signals from Spatial Mic and as such are only valid for Spatial Mic. The ambisonic output can be sent to a variety of plugins from Facebook 360, SSA, Blue Ripple Sound, IEM, SPARTA and others for further processing while mono or stereo outputs can be used with standard mono/stereo audio production plugins. Link: Skip ahead to learn about the virtual mic output and pattern decoding with Spatial Mic
![plogue bidule stereo to 5.1 plogue bidule stereo to 5.1](https://courville.uqam.ca/ambisonic/images/oboro_2008_2.jpg)
This is useful when aligning audio position with 360 video, aiming the mic at specific sounds that should be in front of the listener, or used in combination with the virtual mic output stage to focus directional polar patterns at different parts of the soundfield. Spatial Mic Converter offers the capability to change the microphone’s aim at the point in space where the audio was recorded. Link: Download Spatial Mic Converter & free listening session The plugin and demo session are available as free downloads to test system compatibility.
PLOGUE BIDULE STEREO TO 5.1 PRO
Spatial Mic Converter is available as VST3 and AAX and requires a host that supports multi-channel audio tracks such as Reaper, Pro Tools Ultimate, Nuendo or Plogue Bidule.
![plogue bidule stereo to 5.1 plogue bidule stereo to 5.1](https://i.ytimg.com/vi/rk8uMgEP29o/hqdefault.jpg)
To accomplish this, Spatial Mic Converter uses an internal 64-channel filter matrix and measurements from an anechoic chamber. The Spatial Mic Converter plugin transforms the raw audio signals from Spatial Mic to a format useful for audio production.The output from Spatial Mic Converter can decode to first or second order ambisonics in ambiX or FuMa formats, in addition to mono/stereo virtual microphone patterns with flexible higher-order options.